Andy muschietti it 2017torrent12/8/2023 ![]() Perhaps the best scene in the whole film is the one in which they all reconnect for the first time over a boisterous, boozy dinner at a Chinese restaurant. ![]() Other than that, his defining character trait is the secret crush he still has on Beverly nearly three decades later it grows a bit tedious. And Ben ( Jay Ryan/ Jeremy Ray Taylor), who was both the poet and the brains of the group, shed his baby fat and transformed himself into a hunky, wealthy architect. (Hader’s performance is the highlight within this terrific ensemble as he shows off his perfect comic timing as well as his deep dramatic chops.) Eddie ( James Ransone/ Jack Dylan Grazer) remains a neurotic hypochondriac who’s married to a woman who looks and sounds an awful lot like his smothering mother. Richie ( Bill Hader/ Finn Wolfhard) is a hard-drinking, trash-talking stand-up comic who’s as acerbic as ever. Beverly ( Jessica Chastain/ Sophia Lillis), who endured a controlling, abusive relationship with her father, is now in a controlling, abusive relationship with her husband. Bill ( James McAvoy/ Jaeden Martell) has gone on to become a novelist whose latest book is being adapted into a film, one of several meta bits scattered throughout. Mike Hanlon ( Isaiah Mustafa as an adult, Chosen Jacobs as a child) is the only one of the bunch who stayed in Derry he’s the self-styled historian and the one who makes the fateful phone calls to round up his old pals when Pennywise resurfaces. But returning to their seemingly idyllic small town instantly revives their old rhythms and relationships. They’d all gone their separate ways and carved out vastly different lives, and in introducing us to these characters as adults, Muschietti makes some gorgeous transitions that are smooth and inventive. Just as the ending of the first film foreshadowed, though, the kids who escaped the villainous grasp of the evil clown Pennywise during the summer of 1989 have found themselves back in Derry, Maine-right on cue, 27 years later, to fight him again. Unfortunately, Muschietti and Dauberman spend a lot of their time keeping their perfectly picked actors apart on individual adventures, which drags out the drama and slows down the momentum. As in the original, “It Chapter Two” works best when the members of the self-proclaimed Losers Club are bouncing off each other, their banter infused with a sparkling mix of hormones, humor, insecurity and camaraderie. In adapting the second part of King’s nearly 1,200-page tome, returning writer Gary Dauberman is in a tricky spot: What to keep? What to cut? He does a bit of both while also incorporating moments from the first film as well as new scenes featuring the characters as kids to fill in some gaps. You won’t check out entirely, but you will check your watch several times. “It Chapter Two” can be a sprawling, unwieldy mess-overlong, overstuffed and full of frustrating detours-but its casting is so spot-on, its actors have such great chemistry and its monster effects are so deliriously ghoulish that the film keeps you hooked. And given that his film stretches nearly three hours, he gets more than ample opportunity to show off all those tools.
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